Carlos A.M. Duarte

Written by Суббота, 12 мая 2018 15:09 Published in Португалия 0

BIOGRAPHY OF CARLOS A. M. DUARTE
Carlos A. M. Duarte was born in Mozambique. Graduated as an industrial designer by
IADE – School of Design. He completed his Ph.D. on Production Engineering, in 2001, at
the University of Beira Interior and Agregado (German Habilitation) in
Electromechanical Engineering from the The University of Trás-os-Montes and Alto
Douro in 2012. He is (Full) Professor of IADE – Universidade Europeia and a member of
UNIDCOM/IADE – a Research Unit on Design and Communication. Today, he is Prorector
Universidade Europeia for International and Inter-Institutional Relations and
Director of Institutional Relations for Laureate Portugal.


Other appointments history:
• 2016 - 2017, Dean of IADE – Universidade Europeia;
• 2014 - 2016, Rector of IADE-U (Instituto de Arte, Design e Empresa –
Universitário);
• 2012 - 2015, Vice-President (Talent ID - Association for Research in Design,
Marketing and Communications);
• 2008 - 2014, President (IADE – Creative University);
• 2007 - 2012, Direction Board President (IADE – Marketing and Advertising
School);
• 2006 - 2012, Direction Board President (IADE - Design School);
• 1996 - 2004, Coordinator, Team Group of Design and Production Engineering,
Optoelectronics Department (INETI - National Institute of Industrial Engineering
and Technology).


His scientific areas of research and interest focus on long waves applied to the history
of design, as well as the development methodologies that involved relativistic amounts
of information and Design. He was Chair of the following international conferences:
“Senses & Sensibility” Lisbon, September 2003; “Pride and Pre-Design” CUMULUS
Lisbon, May 2005; “Design & CC: SOS! – Design and Commercial Communications: Seek
Optimal Synergies”, Lisbon, November 2007; “40 IADE 40 from 1969 to 2049”, Lisbon,
October 2009; and “Senses & Sensibility in Lisbon: Design, Marketing, Advertising,
Photography and Visual Culture in the right place”, is going to be held on October 2011.

Address:
Universidade Europeia
Estrada da Correia, nº 53
1500-210 Lisboa (Portugal)

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Bruce Barber

Written by Суббота, 12 мая 2018 14:48 Published in Канада 0

Bruce Barber is an interdisciplinary media artist, cultural historian and curator whose research and writing explores the representation of art, artists and art history in film, television, cartoons and comics. At NSCAD University he teaches courses in media arts and film history. He holds a BFA (1973), and MFA in Sculpture and Art History from Auckland University (1975); an MFA (Intermedia), NSCAD (1978), and PhD (2005), Media and Communications, European Graduate School Leuk Stadt, Switzerland. His interdisciplinary artwork has been exhibited internationally at the Paris Biennale, Sydney Biennale, 49th Parallel Gallery, the New Museum of Contemporary Art, Walter Phillips Gallery, London Regional Gallery, Auckland City Art Gallery, Artspace, Sydney and Auckland and is represented in various public and private collections. Barber is the editor of Essays on Performance and Cultural Politicization and of Conceptual Art: the NSCAD Connection 1967-1973. He is co-editor, with Serge Guilbaut and John O'Brian of Voices of Fire: Art Rage, Power, and the State. Editor of Condé +Beveridge: Class Works (2008); also author of Performance [Performance] and Performers: Essays and Conversations (2 volumes) edited by Marc James Léger (2008), and Trans/Actions: Art, Film and Death (2008), Littoral Art & Communicative Action edited by Marc James Léger (2013. His critical essays have appeared internationally in numerous anthologies, art journals and magazines. Barber’s interdisciplinary art practice is documented in the publications Reading Rooms and Bruce Barber Work 1970-2008. He is best known for his performance work, neo-conceptual reading and writing rooms, Squat projects and his theoretical writing and theory on littoral art, cultural intervention and other relational art practices.

2015-2016

Universities Art Association Annual Meeting, NSCAD Halifax November 5-7 2015 
Chair: “Performance and Critical Pedagogy” Session 1 & 2 with six participants Johanna Householder (OCAD U, Clive Robertson (Queens U) Paulette Philips (OCAD U), Johanna Matuszak (Indiana U Bloomington), Anna Sprague NSCAD U) and Shalon Webber-Heffernan (Queens U) .

Paper presentation: “Performance and performativity in the work of Carole Conde and Karl Beveridge” in NSCAD Press…A Centre for Photographic Studies Chaired by Martha Langford, Concordia University

On Line lecture: “Last Tango in Paris: Art, Desire, Death” for the course Performing Desire; initiator Dr. Sigrid Hackenberg, Director of the Institute of Critical Philosophy) GCAS (Global centre for Advanced Studies), December 2015. On line lecture employs BBB (Big Blue Button software) for interactive engagement with students.

Cabaret Voltaire Atlantique Art Bar + Projects Weekly Dada 1916-2016 Coordinator, Dada Centenary Performances, Film and Lectures January 2016 – April 2016 
12 Events with performance, video and PowerPoint presentations Monday evenings: 6.30pm-8.00pm

Research Hangout (organised by Dr. Max Haiven) Lecture Bruce Barber “Recent Examples of Littoral Art.”


2013-2015

College Art Association Annual Meeting, Chicago February 2014
Panel: The Delinquent Curator: Has the Curator Failed Contemporary Art?
Co Chairs: Brad Buckley and John Conomos, University of Sydney. Paper Title: “Taking care of business: the art curator as ‘hedge fund manager’ to the art world’s Ponzi scheme.”

Project Anywhere Symposium Parsons School of Design NYC
Invitational Paper title: “a Philosophical Foundation for Projects Anywhere. December 2014

AUT Auckland University of Technology) Performance Symposium Action and Delay: A Symposium on Temporality in Performance and Media Art. December 2013 Keynote Paper Title: Relegated Action: “Performance Nominalism and Discontent”

NYC October 16-18 Presented a paper “Weak Force: Collaboration” and Chaired a panel “Art & Activism in the Public Sphere” at the School of Visual Arts conference on Collaboration in the Arts held at the Roosevelt Hotel in New York City, October 16-18 2013.

Bruce Barber chaired the opening Panel “Art & Activism in the Public Sphere” for the Tracing the City: Interventions of Art in Public Space conference organized by Martha Radice, Sol Nagler and Kim Morgan. The panel included Max Haiven, Erika Walker, Carla Taunton, Marc James Léger and Karin Cope. October 10-12 2013

Guest Lecture: “The Halifax ‘Bomb Scare’ and the Critical Art Ensemble “Dalhousie University Schulich Law School lecture series. September 2013

Conferences 2013-2014

March 7-9 2014 Cineflux Symposium: The Parade of the Old/New 
Chair: Panel “Pop-Up and Situational Cinema” NSCAD University

February 12-15 2014 College Art Association Annual meeting Chicago Hilton Hotel: Paper Presentation “The Curator as Hedge Fund Manager to the Art World’s Ponzi Scheme” in The Delinquent Curator Chaired by Brad Buckley and John Conomos Sydney University

October 2013
October 10-12 Bruce Barber chaired the opening Panel “Art & Activism in the Public Sphere” for the Tracing the City: Interventions of Art in Public Space conference organized by Martha Radice, Sol Nagler and Kim Morgan. The panel included Max Haiven, Erika Walker, Carla Taunton, Marc James Léger and Karin Cope.

Barber, Bruce Littoral Art and Communicative Action edited by Marc James Leger Common Ground Press: Arts in Society Series Illinois 2013 was launched at the Tracing the City conference.

November 18th presented a performance titled Urban Tracer for the art program of the Tracing the City symposium

October 16-18 Presented a paper “Weak Force: Collaboration” and Chaired a panel “Art & Activism in the Public Sphere” at the School of Visual Arts conference on Collaboration in the Arts held at the Roosevelt Hotel in New York City. 

Professional Work 
•November 14-16
 Bruce was invited to Helsinki to be one of two external examiners of Jay Koh, PhD candidate at the Finnish Academy of Art.

•November also acted as external examiner for Sussi Porsborg, PhD candidate at the University of Newcastle, Australia.


2012-2013

Bruce Barber Littoral Art and Communicative Action edited by Marc James Léger Common Ground Press Arts In Society Series Illinois (May 2013)

Essays and reviews:

Book review Bruce Barber " The Art World's Dark Matter" Review of Gregory Sholette.  Dark Matter: Art and Politics in the Age of Enterprise Culture. Pluto Press, 2011. 240 pp.in Critique: Reviews in Culture August 2012 3:2 http://www.reviewsinculture.com/?r=92

Bruce Barber "Appropriation/Expropriation: Convention or Intervention ?" in  PARACHUTE : The Anthology, ed. Chantal Pontbriand, Volume I : Museums and Theory, JRP/Ringier, Zurich, 2012. : http://www.jrp-ringier.com/pages/index.php?id_r=4&id_t=&id_p=18&id_b=2086

Essays in Catalogues:

Bruce Barber Review of “Tripping to Dana Point 1974” for catalogue accompanying Serge Guilbaut retrospective exhibition of his artwork at the Koerner Gallery of the University of British Columbia, March 21 – April 4, 2012.

Conference and other public presentations:

Co-Chair with John Powers CAA Los Angeles “The PhD for Artists sense or Non Sense” February 2012
-- Participant “Reinventing the Reel? What the cinematic turn in contemporary art owes to film and film history,” CinemArts: SCMS Film and Art History Scholarly Interest Group, Annual Meeting, Boston, March 24, 2012.
Paper UAAC Paper “The Visible/Invisible Avant Garde” Montreal November 2012
Paper  CAA “Performance Nominalism and its Discontents” (College Art Association) NYC , February 2013.

2011

“You Sir are a space too!” What Ad Reinhardt and Jacques Derrida have to Teach us Erasure” College Art Association NYC February 2011

2010    

Paper “Pygmalion’s Power Bucket of Blood (1959) and Peeping Tom (1960)  
1959/1960 “Breathless Days” Conference, University of British Columbia, Vancouver B.C.. 
“Emancipated Spectators and the Coming Community: Nancy, Agamben and Ranciere”
Art & Society Conference in Association with the Sydney Biennale July 23rd 2010
“A Critique of Critical Critique: Tendenzkunst and Creative Detention.” UAAC, Guelph University November 2010; Co-Chair with Dr. Marc Leger Neo Liberal Undead 
“Kiwi Canuck Conceptualism” Traffic: Conceptual Art Conference U of T Barnicke Gallery 
Sydney Biennale Australian Pavilion Institute of Contemporary Art Newton Sydney Australia Sydney “Alphabet Bomber” Installation one of three International Artists in 'Swallow it, dog!'  May 2010
1959/1960 “Breathless Days” Conference, University of British Columbia, Vancouver B.C. Paper: “Pygmalion’s Power Bucket of Blood (1959) and Peeping Tom (1960).  
Art & Society Conference in Association with the Sydney Biennale July 2010

2009  

Paper delivered at the Vision of War conference School of Visual Arts New York City October 
Annual Metropolis Conference “The Newcomer Artist Project” Mount Saint Vincent University Halifax, 2009
Visiting Artist Presentation: Brock University School of Fine Arts, Ontario 2009
“The Newcomer Artists project” Art & Society Conference Venice July/August 
“Trans/actions: Art, Film and Death” Summary European Graduate School Lecture August 

2008   
Bruce Barber Four lectures as Visiting Artist in Resident Manukau School of Visual Arts, MIT
NZ Lecture Tour: Otago School of Art & University of Otago, Dunedin NZ  
Visiting Artist lecturer; Elam School of Fine Arts University of Canterbury, Christchurch; New Zealand Film Archive and Adam Art Gallery Wellington;    N.Z., Fine Arts Department Program AUT Auckland Technical University 
School of Fine Arts at Newcastle University (two lectures)
Participant and presenter: Roundtable on PhD Education in the Fine Arts, Victoria College of Arts, Melbourne. September 2008 
Sydney College of Art (U of S) Panel discussion on PhD Supervision in the Visual Arts. 

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Hanny Wijaya

Written by Суббота, 12 мая 2018 14:43 Published in Сингапур 0

Fields of Interest
Art and Design Education, Exhibitions and Art Management, Museum and Galleries, Art Happenings, Art History,
Cultural Heritage, Collaboration Projects, Design and Photography
Education
• MA (Merit) in Museums, Galleries and Contemporary Culture - University of Westminster (2014-2015)
Dissertation Project: Interactive Book ~ 40 World Faith Objects
• BA (Hons) in Graphic Design - Bina Nusantara University (2001-2005)
Final Project: Visual Communication Design to Support the Promotion of “Ningali Jogja” Tourist Package


Work Experience
• Bina Nusantara University, Jakarta, Indonesia
o Head of Internationalization and Partnership Program – School of Design (04/2015–present)
Managing collaboration and international cooperation; Liaison for international association and projects
o Senior Lecturer – School of Design (01/2009–present)
Teaching and sharing knowledge to undergraduate students; specialized in Art History (Western and
Eastern), Art Fundamental and Design Modules
• Gengdan Institute of Beijing University of Technology, China – Visiting Professor (12/2017–present)
Teaching and sharing knowledge to international undergraduate students; especially for Professional Practice:
Design and Career Management Modules
• Museum of Brands, Packaging and Advertising, London – Education Volunteer (06/2014–09/2014)
Supporting Education Team for engaging young audience (students) and public with the collections
• English Heritage, London – Kenwood Family Learning Team Volunteer (05/2014–07/2014)
Supporting Learning Team for engaging young audience (early years, students and families) with the
heritage for various learning programme (Under 5s, Discovery Visit, Estate Quest, Family First, etc)
• Pop Inc., Jakarta, Indonesia - Creative Partner (2013–2014)
Set up and initiated business with 2 other partners; specialized in art and cultural design/events
Relevant Projects: Sign system designs for Peranakan Museum of Indonesia, Jakarta, Indonesia (2013);
Installation Art for Cities and Their Thesis Exhibition, Singapore - Representing Indonesia (2014)
• Creativeseed, Jakarta, Indonesia – Founder, Designer and Photographer (2008–2013)
Managing and doing all phases of creative process from concept through delivery
Relevant Clients: PT. Iwan Tirta (Indonesian handmade traditional Batik textiles corporation);
F. Widayanto (Indonesian well-known ceramicist: art and cultural motifs); Gramata Publishing
• Bina Nusantara University, Jakarta, Indonesia
o Head of Laboratory - Visual Communication (09/2009–12/2013)
Managing all the facilities for School of Design
o Coordinator of Interior Design Laboratory (01–09/2009)
Supervising facilities for Interior Design Department
o Part-Time Lecturer (02/2006–09/2007)
Teaching and sharing knowledge to undergraduate students; specialized in Advertising, Art History
(Western and Eastern), Photography and Design Modules
• Toolbox Design, Pte Ltd., Singapore – Graphic Designer (01–05/2008)
Doing all phases of creative process from concept through delivery for graphic design
Clients: Electrolux S.E.A Pte Ltd.; Bengawan Solo Pte Ltd.
Training, Seminar, Conference, and Symposium
• International Seminar ‘From Zero to Hero: Creating High Value Product Through Design and Innovation of
Material’ – Indonesia International Furniture Expo (IFEX); as Participant (03/2018)
• ico-D ASEAN Regional Meeting – International Council of Design, JAGDA, and DesignSingapore at Kuala
Lumpur, Malaysia; as Indonesian Delegate (02/2018)
• Curators’ Talk and Panel Discussion ‘Past and Future of Design’ – Plaza Design National Seminar and
Exhibition, Indonesia; as Panelist (02/2018)
• International Public Lecture ‘Cultural Contexts in Art and Design’ – City University of Macau, Zhengzhou
University, and Xi’an Eurasia University, China; as Guest Speaker (12/2017)
• International Multidisciplinary Conferences on Productivity and Sustainability – UKRIDA, Chang Jung Christian
University, Taiwan Education Center Indonesia; as Presenter (12/2017)
• International Seminar ‘Innovation in Furniture, Interior and Urban Design’ by Amaury Poudray – ESAD Saint
Etienne, France and BINUS University, Indonesia; as Moderator (11/2017)
• International Conference ‘REDO Biannual Cumulus 2017’ – Design School Kolding, Denmark;
as Participant (06/2017)
• International Seminar ‘Designing for Creativity & Interaction’ by Prof. Andrew Brown – Griffith University,
Australia and BINUS University, Indonesia; as Moderator (05/2017)
• International Guest Lecture ‘Creative Journey to Win Awards’ by Markus Hillemann – Industrial Designer,
German and BINUS University, Indonesia; as Moderator (04/2017)
• International Guest Lecture ‘Portfolio Building’ by Mengyu Chen – Shantou University, China and BINUS
University, Indonesia; as Moderator (03/2017)
• International Seminar ‘Nostalgia, Tempo and Hedonism: Contemporary Western Trends in Context’ by
Warren Harrison – Teesside University, UK and BINUS University, Indonesia; as Moderator (03/2017)
• International Seminar ‘Brand Creation & Brand Innovation’ by Dr. Kan Tai-Keung – Hubei University of
Technology, Wuhan, China; as Participant (02/2017)
• International Public Lecture ‘Cultural Context in Art and Design’ – Hubei University of Technology, Wuhan,
China; as Guest Speaker (02/2017)
• International Seminar ‘Design Thinking’ by Nur Hidayah Abu Bakar – LASALLE College of the Arts, Singapore
and BINUS University, Indonesia; as Moderator (12/2016)
• International Conference ‘Future Oriented Sustainable Design’ – Hubei University of Technology and Wuhan
Institute of Technology, China; as Distinguished Guest Speaker (11/2016)
• Cumulus Hong Kong 2016: International Conference ‘Open Design for E-very-thing’ – Hong Kong Design
Institute; as Participant (11/2016)
• Master Class and Public Lecture Series with Karim Rashid – LASALLE College of the Arts, Singapore;
as Participant (08/2016)
• BUCA International Conference: Creative Industries in Asia – Bangkok University, Dong-Ah Institute of Media
and Arts, The University of Nottingham, SCRIPPS Ohio University; as Presenter (07/2016)
• International Seminar ‘How Indonesian Designer Can Enter and Be Successful in International Market’ by
Cristina DosioMorozzi – Instituto Marangoni Design School Milan and BINUS University Indonesia;
as Moderator (06/2016)
• International Public Lecture ‘Applying practical method to deliver theoretical context in art and design studies’
– First Media Design School, Singapore; as Guest Speaker (05/2016)
• International Seminar ‘Educational and Professional Perspective of Design in China’ by Prof. Xiao Yong – CAFA
Beijing and BINUS University Indonesia; as Moderator (05/2016)
• International Conference on Social Sciences and Humanities – Maltesas and Universiti Malaysia Pahang;
as Presenter (04/2016)
• Adobe Education Leaders Seminar 2016; as Speaker/Panelist (04/2016)
• International Conference on Education – Maltesas and UniMAP Malaysia; as Presenter (04/2016)
• International Conference - Advance Research on Business, Management and Humanities 2016 – Malaysia
Technical Scientist Congress and Universiti Teknologi Malaysia; as Presenter (03/2016)
• International Symposium on Social Sciences, Arts and Humanities 2015 – Maltesas, Shanghai Jiao Tong
University, and Newcastle University; as Presenter and Chair Sessions (09/2015)
• Disability Awareness Training – English Heritage collaboration with Shape Arts; as Participant (06/2014)
• Basic Conservation Training – English Heritage for Kenwood; as Participant (06/2014)
• Annual Conference of Adobe Asia Pacific Education Leadership Forum; as Delegate (2012–2013)
• Art History Online Course – Museum of Modern Art, USA; as Participant (Winter/Spring 2012)
• Leadership Development Program – AIS Training and Consulting; as Participant (11/2012)
• Scientific Articles Writing Workshop & Training for Lecturers – Indonesian Directorate General of Higher
Education (DIKTI); as Participant (10/2009)
Relevant Project and Workshop
• Invited Artist and Conductor for International Workshop & Exhibition of Contemporary Art: THROUGH –
Gengdan Institute of Beijing University of Technology: Beijing, China (12/2017)
• Museum Expert and Curator for Museum Care Association in collaboration with Geological Museum and
Bandung Institute of Technology (ITB) – Supervised by Bandung Creative Cities Network (UNESCO) and
Indonesian Ministry of Energy and Mineral Resources (07/2017 – present)
• Board Member of Curators for Intercultural Academic International Forum Exhibition 2017: The World of
Innocence – One Space Gallery: Wuhan, China (02–07/2017)
• Invited Artist and Conductor for International Workshop & Exhibition of Contemporary Art: World Landmarks
in Chinese Perspective – Hubei University of Technology: Wuhan, China (02/2017)
• Spokesperson for International Workshop & Exhibition: Useless/Usefull/Things – LASALLE College of the Arts
Singapore and BINUS University Indonesia: Jakarta, Indonesia (12/2016)
• Invited Researcher for Cluster Projects: Design Futures – LASALLE College of the Arts: Singapore (08/2016)
• Spokesperson and Co-Conductor for International Workshop & Exhibition: Interpretation and Symbolisation
of Man and Woman – CAFA Beijing, Gengdan Institute China and BINUS University Indonesia: Jakarta,
Indonesia (05/2016)
• Artist and Instructor for Design for Water and Sustainable Asia 2015: Shenzhen, China (11/2015)
• Designer Team for Jalur Rempah Exhibition at National Museum: Jakarta, Indonesia (10/2015)
• Artist for International Exhibition for Contemporary Art: Cities and Their Thesis: Singapore (02/2014)
• Designer for Museum Peranakan Indonesia: Jakarta, Indonesia (10/2013)
• Project Leader and Spokesperson for Neighbour Programme 2013 - Southeast Asia: Jakarta, Indonesia
Art and Cultural activities for S.E.A. Educational Institutions; Theme: Textiles (06/2013)
• Spokesperson and Instructor for Neighbour Project 2011/2012 - Southeast Asia: Bangkok, Thailand &
Singapore Art and Cultural activities for S.E.A. Educational Institutions; Theme: Food Culture (2011/2012)
• Photographer and Designer for an architecture book with the title: ‘Concealed Secrets in The Museum
Buildings of Ubud Bali’ (2010)
Skills
• Language: Indonesian Bahasa (Native), English (Proficient), Japanese (Fair)
• Technical: Microsoft Office, Adobe Creative Suites
• Professional: Collaborative, communicative, methodical, adaptive, practical, multitasking, team-oriented
Achievement
• Design for Asia Award 2015 – HKDC (Hong Kong Design Center) – Silver Award Winner (in collaboration with
Halfnot Indesign) for Neighbour Program Southeast Asia (2015)
• 2nd Winner of Book Cover Design Competition – IKAPI (Association of Indonesian Publishers), 3rd Academic
Book Fair for Higher Education (2010)
• Achievement from The Ministry of Education (Foundation and Intermediate Education Management),
Indonesia for a participation in Indonesia Kids Fair Event as a designer (2010)
Publication
• ‘Understanding the Cultural and Religious Insights of Indonesia through “Drupadi Pandawa Diva” the
Masterpieces of F. Widayanto’, Advanced Science Letters, American Scientific Publishers;
ISSN: 1936-6612; EISSN: 1936-7317 (2017)
• ‘Modernism in Sang Pencerah Film Directed by Hanung Bramantyo’, Advanced Science Letters,
American Scientific Publishers; ISSN: 1936-6612; EISSN: 1936-7317 (2017)
• ‘Practice-Led Project as a Creative Method to Enhance Theoretical Knowledge in Art and Design Education’,
Advanced Science Letters, American Scientific Publishers; ISSN: 1936-6612; EISSN: 1936-7317 (2017)
• ‘The Importance of Copies as the Reminiscence of Lost Collections at Kenwood House’, Advanced Science
Letters, American Scientific Publishers; ISSN: 1936-6612; EISSN: 1936-7317 (2017)
• ‘Unique Features of Indonesian Wayang in Book Ornament Prototype Through Visual Communication
Design Perspective’, Advanced Science Letters, American Scientific Publishers; ISSN: 1936-6612;
EISSN: 1936-7317 (2017)
• ‘Understanding Chinese Culture and Tradition Through Observation in Chinese Restaurant as a Study Case
of Informal Education’, Advanced Science Letters, American Scientific Publishers; ISSN: 1936-6612;
EISSN: 1936-7317 (2017)
• ‘Exploring Patterns Through Mosaic Workshop as a Learning Method in Building Material Subject’,
Advanced Science Letters, American Scientific Publishers; ISSN: 1936-6612; EISSN: 1936-7317 (2017)
• ‘The Educational Value of Sang Pencerah Film by Hanung Bramantyo: Aesthetic Research of Chiaroscuro’,
Advanced Science Letters, American Scientific Publishers; ISSN: 1936-6612; EISSN: 1936-7317 (2017)
• ‘Salt as Subject of Exploration to Develop New Perspective of Contemporary Art’, Advanced Science Letters,
American Scientific Publishers; ISSN: 1936-6612; EISSN: 1936-7317 (2017)
• ‘Humanism in the Names of Characters in Sawung Kampret Film by Dwi Koendoro’, Advanced Science Letters,
American Scientific Publishers; ISSN: 1936-6612; EISSN: 1936-7317 (2017)
• ‘Chiaroscuro in Visual Narrative of Sang Pencerah Film by Hanung Bramantyo’, Advanced Science Letters,
American Scientific Publishers; ISSN: 1936-6612; EISSN: 1936-7317 (2017)
• Interpreting Cultural Values of Learning Space Design Based on Traditional Education System in Indonesia’,
Advanced Science Letters, American Scientific Publishers; ISSN: 1936-6612; EISSN: 1936-7317 (2016)
• ‘Reflectivity of Contemporary Life in Sang Pencerah Film by Hanung Bramantyo’, Advanced Science Letters,
American Scientific Publishers; ISSN: 1936-6612; EISSN: 1936-7317 (2016)
• ‘The Significance of Religious Objects in Museums as a Cultural Reflection’, Advanced Science Letters,
American Scientific Publishers; ISSN: 1936-6612; EISSN: 1936-7317 (2016)
• ‘Aesthetic Sensibility of Nirmana Dwimatra Through Design Methods Based on Stimuli of Senses
(Study Case of Estetika Rasa and Aroma Project)’, Advanced Science Letters, American Scientific Publishers;
ISSN: 1936-6612; EISSN: 1936-7317 (2016)
• ‘The Significance of Narrative to Interpret “Sherlock Holmes” Character in Museums’, Panggung Journal, ISBI
Bandung Journal Publication; ISSN: 0854-3429 (2015)
• ‘Western Art Review’ Book Publication, PT. Jayakarta Agung Offset, Indonesia; ISBN: 978-979-9001-30-6 (2015)
• ‘Neighbour Programme: The Mixture of Southeast Asian Visual Culture,’ Humaniora Journal Publication,
Bina Nusantara University (2014)
• ‘Wassily Kandinsky: Modern Art and Theory,’ Humaniora Journal Publication, Bina Nusantara University (2013)
• ‘Nekara (Dong Son Drum): The Unique Heritage from Bronze Age,’ Humaniora Journal Publication,
Bina Nusantara University (2013)
• ‘Pyramids: The World Heritage from West to East Continent (Part 1 & 2),’ Humaniora Journal
Publication, Bina Nusantara University (2011)
• ‘Point as the Fundamental of Art Creation,’ Humaniora Journal, Bina Nusantara University (2010)
• ‘Indonesian Countenance Decorated by Local Culture,’ Aksen Journal, Bina Nusantara University (2007)

Short Bio
Hanny Wijaya is a Senior Lecturer and the Head of Internationalization and
Partnership at School of Design, BINUS University, Indonesia. She actively involves
in many art and design projects as both academician and professional. Holding an MA
in Museums, Galleries and Contemporary Culture from the University of
Westminster, she works on many projects that intertwined with contemporary art,
design, and culture. Hanny has published books and articles, including ‘Western Art
Review’, ‘The Significance of Religious Objects in Museums as a Cultural
Reflection’, and ‘Practice-Led Project as a Creative Method to Enhance Theoretical
Knowledge in Art and Design Education’. Some of her latest projects include
Interdisciplinary Workshop and Exhibition: THROUGH (Beijing, China), World
Landmarks in Chinese Perspective (Wuhan, China), Interpretation of Man and
Woman (Collaborative Project, Indonesia and China), Design for Water and
Sustainable Asia (Asian Collaborative Project, Shenzhen, China), and Neighbour
Programme (Collaborative Project, Southeast Asia). Hanny had been curating some
exhibition both in national and international level, such as IAIF ‘World of Innocence’
International Exhibition (Wuhan, China) and Plaza Design ‘Prologue’ Exhibition
(Jakarta, Indonesia). She also involved in some art and design projects independently,
such as International Contemporary Art Exhibition: Cities and Their Thesis
(Singapore), Design for Museum Peranakan Indonesia (Indonesia), and some other
site-specific works.

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Angelina Vaccarella Abiuso

Written by Суббота, 12 мая 2018 14:39 Published in Чили 0

Directora de Área Escuelas Diseño y Comunicación

Directora Escuela de Diseño
Designer of the Pontifical Catholic University of Chile. Art and Architecture Councelor for the “Agencia Acreditadora de Chile”

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Antonietta Tordino

Written by Суббота, 12 мая 2018 14:30 Published in Бразилия 0

Presidente do Comitê Nacional Brasileiro da Associação Internacional de Artes Plásticas (AIAP),

Associada à Unesco, participa na República Tcheca como fiscal da região da América Latina e Caribe,

como representante do Brasil, na XVIII Assembleia Geral da entidade e no Congresso Mundial sobre a condição dos artistas plásticos, eventos que ocorrem na cidade de Pilsen entre 15 e 18/10/16.

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Myriam Feuilloley

Written by Суббота, 12 мая 2018 14:24 Published in Франция 0

Born in 1960 in France. 
Lives and works in Yport, Normandie, France 

In the artworks of Feuilloley the subject is the human being, yet is the way in which the artist rejects the conventional canons of representation that amaze us. An often lengthen or more compact anatomy and bodies completely bare with a look beautifully expressive, are the features of Feuilloley's work. A work which is far from the naturalism of classic portrait, despite the representation of the human figure. The artist's eye is unable to remain on the surface, cannot avoid of going deeper and fathom the interiority of her subjects and eventually she bares them, not just exteriorly. Here they appear, caricatures of the movements of the soul, perfectly reported on canvas. The watchword is fantasy, and it is thanks to it that Feuilloley manages to reach the magical dimension of being in order to let the mechanisms of the subconscious and the symbolic dominating her expressive language. Through her works the world appears sublimate by its deceptive appearances and hers denuded characters finally look for what they are inside, thanks to the metamorphosis that we admire on her canvases. In his works you can always notice a series of levels and this is the challenge that throws the artist to the viewer: for a better understanding, the spectator has to be ready to challenge himself, in the one hand as observer and in the second as subject. Thus the act of painting becomes for Feuilloley above all an interior need to communicate her vision of the world, a need which leads to a continuous revision and deepening of her own style. 
Elisa Larese 

SOLO SHOWS


2018 : Museum of Fine Arts, Hô Chi Minh Ville, Vietnam 
           Espace Jef Friboulet, Yport France 
2017 : Gallery La Glacière, Le Havre France 
           Women in Art, Palazzo Reale, Genoa, Italy 
2016 : Base'Art, Fréjus France 
           La Linerie festival, Crosville sur Scie France 
2015 : Villa Carlotta Museum, Tremezzina, Como, Italy 
           Illustrations for the Fables of La Fontaine, library of Mouscron, Belgium 
2014 : Abbaye du Valasse, Gruchet le Valasse, France 
2012 : Galerie du PARC , Notre Dame de Gravenchon , France 
           Illustrations for the fables of La Fontaine, Fonds Ancien, Fécamp , France 
2011 : Illustrations for the fables of La Fontaine, Library of Honfleur, France 
2010 : Abbaye de Montivilliers , France 
2009 : Espace Jef Friboulet, Yport, France 
          Espace Tristan Bernard, Paris, France 
2008 : Gallery L'USINE, Le Havre, France 
2007 : Gallery Chercheur d'Art, Metz, France 
2006 : FEUILLOLEY – DUBUC", show in duo at Centre culturel, Sainte Helene Bondeville, France 
2004 : Gallery Grand'Voile, Fecamp, France 
2003 : 11st EXPO-FESTIVAL D'ART PLASTIQUE COUR SAINT PIERRE, Paris, France 
2000 : Gallery Michel Magnan, Fecamp, France 
1999 : 9st EXPO-FESTIVAL D'ARTS PLASTIQUES COUR SAINT PIERRE, Paris France 
1998 : Maison des Art in Conches, France 
          Gallery Grand'Voile, in Fecamp France 
1997: FEUILLOLEY, 10 ANS DE PEINTURE, retrospective at The Musee du Prieure, in Harfleur, France 
1995: Gallery Grand'Voile, in Fecamp, France 
1993: Gallery Grand'Voile, in Fecamp, France 
1991: Musee des Terre Neuvas, in Fecamp, France

SELECTED GROUP EXHIBITIONS


2018 : Art en Capital, Comparaisons, Paris, France 
          Biennale de Conches, Maison des Arts, Conches, France 
2016 : World Art Day, United Nations Office of Geneva , Switzerland  
2015 : Galerie Métanoïa, Paris , France 
          Art en Capital, Comparaisons, Paris, France 
          Château du Val-aux-Grès, Bolbec , France 
          Artifact Gallery, New York, USA 
          Les Hivernales , Casino de Bonsecours, France 
          Artifact Gallery, New York, USA 
2014 : Art en Capital, Comparaisons, Paris, France 
          Artifact Gallery, New York, USA 
          Figuration Critique, Paris, France 
          Salon International du Portrait, Château de Beauregard, France 
          Art imaginaire, Usine à Zabu, Saint Germain des Angles, France 
2013 : Art en Capital, Comparaisons, Paris, France 
         Figuration Critique, Paris, France 
         Biennale de Sarria, Spain 
2012 : Art en Capital, Comparaisons, Paris, France 
         Figuration Critique, Paris, France

Myriam Feuilloley AWARDS


2002 : Prix de la ville, Salon de la pointe de Caux, Gonfreville l’Orcher 
1992 : Grand prix du salon de la peinture de Marine, Fécamp, Terre-Neuvas museum 
1991 : Prix spécial du Jury, salon de la peinture de Marine, Fécamp, Terre-Neuvas museum 
1987 : Prix jeune artiste of the city of Fécamp.

PUBLICATIONS


LA FONTAINE, 20 fables illustrées par FEUILLOLEY – Editions Belize, 2011 
FEUILLOLEY, 20 ANS DE PEINTURE - Ananda Editions, 2006 
NUDE ART TODAY, tomes 1,2 et 3 – Editions Patou, 2008, 2010, 2013

STUDIES


Graduated from L’ECOLE NATIONALE SUPERIEURE DES ARTS DECORATIFS de PARIS, 1982 
Attended ECOLE DES BEAUX ART de ROUEN (1974-1978)












































LIBERTÉ-DIMANCHE LE HAVRE, 11-04-2010

« La grande récurrence dans le travail de Myriam Feuilloley, c’est l’humour. « En effet, j’aime bien que mes tableaux fassent rire. Les paradoxes qui touchent le fond des choses peuvent s’exprimer par le rire. C’est un bon moyen de communication. » 





LE PROGRES, 24-03-2006

« Je ne comprends pas toujours ce que Myriam veut dire, mais ça me plaît : ce sont des œuvres pleines d’humour et de mystère et je me demande parfois où elle va chercher tout ça. En plus, il y a une technique de la peinture incroyable ! » 
(Maurice Dubuc, peintre) 

LE COURRIER CAUCHOIS, 25-03-2006

« La vraie beauté ne serait-elle pas celle de l’âme, avec ses peurs, ses angoisses et ses joies ? Les artistes comme Myriam et Maurice ne sont avant tout que de grands observateurs et ne captent que l’essentiel. » 















MAISONS NORMANDES, 01/2001

« Myriam Feuilloley, c’est une rencontre avec l’improbable, un passage magique de l’autre côté du miroir. » 








LE HAVRE LIBRE, 22-01-1997

« Les corps nus, débarrassés presque complètement de tous les artifices, expriment sans vulgarité le moment vécu par les êtres qui les habitent. Les très belles scènes d’amour, en particulier, inspirent et sont inspirées par la tendresse et l’humour. » 
(François Guégan, maire d’Harfleur) 












LIBERTE-DIMANCHE LE HAVRE, 18-01-1997

« Myriam Feuilloley joue avec les formes de notre anatomie pour exposer nos pensées, nos actes, nos habitudes… Le résultat est « tordant » et plein d’esprit. » 












LE COURRIER CAUCHOIS, 15-04-1995 :

« Un petit tour de piste sur l’univers humain qui séduira, interpellera. » 

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Vicki Sullivan

Written by Суббота, 12 мая 2018 14:17 Published in Великобритания 0

Portrait Artist Vicki Sullivan

Education

T.O.P. Art, Frankston Technical College 1979 – 1980
Visual Art, Gippsland Monash Campus 1981 &1984
2003 onwards private tuition with Brian Armstrong and Fiona Bilbrough
2014 & 2017 Angel Academy of Art Florence Italy

Acknowledgements

.In 2014 Vicki Sullivan was awarded the Title “Associate Living Master” by the Art Art Renewal Centre the largest International Foundation for the promotion  and education of Realist Art

Vicki Sullivan has won awards in Australia, the USA and the UK and was chosen among those considered among the best fine artists working in the world today to join the International “Master Painters of the World Facebook Group” facebook group.

Vicki’s Drawing has been selected for publication in the next Strokes of Genius Book 10, by Northlight books in the USA

Vicki’s work has won awards in Australia,the  USA, and the UK,

Vicki has been invited to be on the Jury of judges for  Art Competitions in Australia,The USSR and France
Vicki is a member of Portrait Artist’s Australia, The Melbourne Society of Women Sculptors and Painters, The Victorian artists Society, the Art Renewal Centre and The Portrait Society of America

  • EXHIBITIONS

Awards and Finalist in

2018 Winner of Art Renewal Centre Publication Award
2017 Winner of the second People’s Choice prize in the Jacksons Mussini Oil painting competition in London,UK
2017 Winner of the People’s Choice prize in The Manning Art Prize, Naked and Nude exhibition NSW
2017 Highly Commended  in the Lethbridge Small Scale Art Award, Brisbane QLD
2017 Finalist in The National Equine Art Prize, Mansfield Victoria
2016 Finalist Alice Bale Painting prize and also a finalist Alice Bale Drawing prize
2016 Finalist Art Renewal Centre 2015/2016 International Salon
2016 Finalist Jacaranda Aquisitive Drawing Prize Grafton Regional Gallery
2016 Portraits Sullivan and Bilbrough ,Mornington Peninsula Regional Gallery
2016 Finalist Rick Amor Drawing prize,Art Gallery of Ballarat
2016 Women Painting Women Exhibition, Burrinja cultural Centre Upwey,Vic
2016 First Prize, A Singular Creation, Feeling Blue 5 International Competition
2015 Winner ,Constance Wu Prize, Melbourne society of women Painters and Sculptors
2015 Finalist Black Swan Portrait Prize, Perth WA
2015 Finalist Gallipoli Art Prize
2015 Finalist  Art Renewal Centre 2014/2015 International Salon
2014 Awarded Title of Associate Living Master by the Art Renewal Centre
2014 Angel  Academy OF Art exhibition, Florence, Italy
2014 Finalist Portrait Artists Australia Exhibition Australian Embassy Washington USA
2014 First prize for Best Portrait Red Hill Show, Red Hill Victoria
2014 Finalist Alice Bale Travelling Scholarship
2014 Finalist Alice Bale painting award
2014 Finalist Alice Bale Drawing Award
2014 Finalist Hidden Faces of the Archibald Salon De Refuse ,Melbourne, Victoria
2013 Semi finalist Doug Moran National Portrait Prize
2013 Finalist “Mortimer Prize “Exhibition
2013 Finalist Inglis Equine Art Prize ,Randwick NSW
2013  Highly Commended Award Camberwell Art show
2013 Finalist Portrait Artists Australia “Multicultural Australia” Parliament House NSW
2013 Finalist Black Swan Portrait Prize
2013 Finalist Hidden Faces” Victorian Salon Des refuses of the Archibald
2013 Finalist  Art Renewal Centre 2011/2012 International Salon
2012 Finalist Alice Bale Painting Prize Caulfield, Vic
2012 Finalist Alice Bale Travelling Scholarship Caulfield Vic
2012 Finalist Portia Geach Memorial Exhibition 2012”
2012 Finalist “Mortimer Prize” Exhibiton
2012 Second prize “Little Archies”Exhibition Oak hill Gallery Mornington
2012 Second Prize “Oak hill Gallery Annual Members Exhibition” Mornington
2012 Finalist “Hidden Faces” Salon Des Refuses of the Archibald Exhibition Melbourne
2012 Finalist “Shirley Hannan National Portrait Award “ Bega Regional Gallery
2011 Finalist Len fox Painting Prize, Castlemaine Regional Gallery
2011 “Mario’s Choice Prize “ Morning Sun Vinyard Art Exhibition
2011 First Prize Best in Show “Alla Prima” Morning Sun Vinyard Art Exhibition
AWARDS
2017 Winner of the Second People’s Choice prize in the Jackson’s Mussini Oil painting Competition in London,UK
2017 Winner of the People’s Choice prize in the Naked and Nude Exhibition in the Manning Art Gallery,NSW
2016 Third prize people’s choice in Jackson’s “Drawn In “Competition London
2016 Honorable Mention MSWPS Member Exhibition Changing Perspectives
2016 First Prize, A Singular Creation, Feeling Blue 5 International Competition
2016 Winner Equine Prize, Flinders Art Show
2015 Winner , Constance Wu Prize Melbourne Society of Women Sculptors and Painters
2013 People’s Choice Prize,Hidden faces of the Archibald Hilton South Wharf Melbourne
2013 Highly Commended Camberwell Art Show
2013 Second Prize Oak Hill Gallery Illustration and Drawing competition
2012 Second Prize “Little Archies Exhibition” Oak Hill Gallery Mornington Vic
2012 Second Prize Oak hill Gallery Annual Members Exhibition
2011 First Prize Best in Show “Alla Prima” Morning Sun Vineyard Art Exhibition
2011 First Prize “Mario’s Choice Prize “ Morning Sun Vineyard Art Exhibition
http://vickisullivan.com/wp-content/uploads/2015/05/cropped-Sullivan_Waiting_in_the_Old_China_Cafe_ool_2012_120x90cm-huge-1024x5751.jpg 1024w" alt="Waiting in the Old China Café" width="300" height="168" style="box-sizing: border-box; vertical-align: middle; max-width: 100%; height: auto;">

Corporate and Private Collections

2016 Jane Alexander Collection Director of Mornington Peninsula Regional Gallery
2016 Liane Keegan Collection
2015 Andrew and Cynzia Burnes Collection CEO of AOT Group
2015 Luisa Mancini and Giovanni Morra Collection, Venice Italy
2013 Steve Bastoni collection
2011 Robbie Brozin founder of “Nando’s” Global
2011 Fletchers Real Estate Sorrento
2010 Multivision Real Estate
2008 The Sphere Advertising Agency, Richmond Victoria
2007 Tim Buckingham, Partner in International Law Firm DLA Piper, UK
2006 Michael Morehead, Lawyers And Associates, Portsea, Vic
2003 John Ihan {Crazy John}

PUBLICATIONS

2012 ARC Salon
2013 ARC Salon
2014 ARC Salon
2014 Portia, The Annual journal of Victorian Women Lawyers
2015 Artelibre  (Spain)
2016 Profile magazine Issue 72
2016 ARC Salon
2016 Art Almanac, May edition
2016 Artelibre (Spain)
2016 Creative Artist Magazine
2016 Mornington Peninsula Regional Gallery “What’s on”
2017 Selected for publication in Strokes of Genius, book 10 by Northlight books, USA

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Eduard Čehovin

Written by Суббота, 12 мая 2018 14:11 Published in Словения 0

Associate Professor Eduard Cehovin teaches Typography at Design Department of the Academy of Fine Arts at the Ljubljana University, Ljubljana, Slovenia.

He graduated from the Faculty of Applied Arts, Department of Graphic Design, Graphic Communication and Typography, Belgrade, Serbia.

As a fellowship holder of the IREX - International Research and Exchanges Board, US, he spent a year at the Buffalo University, Buffalo and at the Parsons School of Design, New York.

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Народный художник Республики Татарстан,

Заслуженный художник России,

профессор отделения "дизайн" Казанского федерального университета филиала в г.Набережные Челны,

ученое звание "доцент".

Участник международных и всероссийских выставок. Награжден дипломами РАХ, СХ России.

Провел 35 персональных выставок в России и за рубежом.

Произведения находятся в нескольких российских музеях а так же во многих частных коллекциях разных стран.

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Живописец. Почетный член Российской академии художеств (2017), член Саратовского отделения Союза художников России (2017), член СРОО «Творческий союз художников Саратовской области» (2017), президент Саратовского регионального общественного фонда «Золотая палитра», аттестованный эксперт Росохранкультуры по специализации «Произведения живописи, графики ХХ-ХХI веков».


Владимир Ракчеев окончил Саратовское художественное училище имени А.П.Боголюбова в 1981 году. Основы понимания живописи были заложены В.А.Конягиным. Наибольшее влияние на формирование личности художника оказали художники-педагоги: В. Белонович, В. Успенский, Н. Чечнева.
В июне 1994 года В.В. Ракчеев открыл первую в Саратове художественную галерею «Эстетика», задачи которой — популяризация современного изобразительного искусства, пропаганда традиций российской школы живописи и графики, оказание помощи молодым художникам в развитии их творческих талантов. За годы деятельности В.В.Ракчеев, сплотив коллектив профессионалов, организовал множество художественных выставок, имеющих большое значение для культурной жизни Саратовской области и других регионов России. При активной поддержке В.В.Ракчеева три сотрудника галереи «Эстетика» получили почетные звания: "Заслуженный деятель искусств Российской Федерации", "Заслуженный работник культуры РФ», "Заслуженный художник РФ".


В.В.Ракчеев регулярно организует выставки молодых художников, занимается образовательной деятельностью, оказывает помощь молодым художникам в их творческом продвижении.
Активность, профессионализм и настойчивость в достижении целей, помогли В.В.Ракчееву с большим успехом провести выставку в Посольстве США в Москве (1995), организовать передвижную выставку «Современное искусство Болгарии» (1998, 2000) и выставки работ лауреатов конкурса «Золотая палитра» в городах России, Германии и Швейцарии (1998-2008).


С 24 февраля 2010 года Ракчеев В.В. является аттестованным экспертом по государственной экспертизе культурных ценностей Росохранкультуры.
Автор и организатор художественного конкурса «Золотая палитра» (авторское свидетельство №4520 от 29.11.2000) на лучшее произведение изобразительного искусства года, направленного на поддержку и развитие современного искусства. Этот конкурс поддержал и материально стимулировал участников проекта. Конкурс сподвиг художников на творческий поиск новых художественных замыслов, тем перестроечного периода страны 1990–2007 годов, что было жестким условием конкурса. Таким образом для потомков было создано большое количество произведений искусства этого непростого времени. В.В.Ракчеев выступил сценаристом и режиссером этого уникального фестиваля-конкурса, стимулирующего на творческий процесс как молодых художников, так и мэтров искусства. Конкурс «Золотая палитра» проводился в Саратове с 1997 по 2007 годы как межрегиональный, с участием художников из региональных центров Поволжья: Нижнего Новгорода, Перми, Ульяновска, Оренбурга, Самары, Саранска, Йошкар-Олы, Уфы, Казани. В последующие годы в галерее «Эстетика» неоднократно были организованы выставки лауреатов конкурса.
Экспертный совет конкурса «Золотая палитра» с 2000 по 2007 годы возглавлял президент Российской академии художеств З.К.Церетели, получивший «Золотую палитру» за вклад в развитие культуры.
К семнадцатилетию галереи В.В.Ракчеев подготовил персональный выставочный проект. На сегодняшний день за плечами художника десять персональных выставок: Goldene Palette, г.Дюссельдорф, Германия (2012), выставки в галерее «Эстетика» (2011, 2012, 2013, 2014, 2015, 2016), в Саратовском государственном художественном музее им. А.Н.Радищева (2016), Пензенской картинной галерее им. К.А.Савицкого (2016), Астраханской государственной картинной галерее имени П.М.Догадина (2017). В.В.Ракчеев является постоянным участником межрегиональной академической выставки-конкурса «Красные ворота/Против течения» (2014, 2016).
Не испытывая жизненной необходимости угождать публике, он подсознательно угадывает её спрос: его работы привлекательны для потенциального покупателя: букеты радуют глаз, а пейзажи находят живой отклик в душах людей.
Произведения В.В.Ракчеева находятся в собраниях Саратовского государственного художественного музея имени А.Н.Радищева, Пензенской областной картинной галереи имени К.А.Савицкого, Астраханской государственной картинной галереи имени П.М. Догадина, в частных собраниях России, ближнего и дальнего зарубежья.


За многолетний труд в области изобразительного искусства, организационный талант, высокий профессионализм, просветительскую деятельность и меценатство В.В.Ракчеев неоднократно был награжден почетными грамотами, медалями, отмечен благодарственными письмами:
 Благодарственное письмо Администрации Президента Российской Федерации, Приволжский федеральный округ (2008);
 Почетная грамота Губернатора Саратовской области (2006);
 Грамота Главы муниципального образования «Город Саратов» (2007);
 Почетная грамота министерства культуры Саратовской области (2006);
 Благодарность Российской академии художеств (2000, 2006);
 Благодарность ГНПУ «Областной реабилитационный центр для инвалидов и детей с ограниченными возможностями» (2007);
 Благодарственное письмо Ассоциации торгово-промышленной группы «Славянский мир» (2006);
 Благодарность Правительства Саратовской области (2009);
 Медаль «Достойному» Российской академии художеств (2016);
 Благодарность Министра культуры Российской Федерации (2016);
 Почетный член Российской академии художеств (2017).

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